Color match from image plus#

The Level controls affect how much the source luminance is changed to match the target luminance. The Master Level parameter allows you to adjust all three Level parameters with a single control after you adjust individual Highlight, Midtone and Shadow Levels. Red indicates highlights, blue indicates shadows and green indicates midtones.

HMS Colorized displays the three zones using three colors, so you can quickly tell which areas of the image are in which zone.

Black areas indicate pixels that are not in the shadow zone gray areas indicate pixels that are partially in the shadow zone. White areas indicate pixels that are shadows.

Shadow displays the source image’s shadows as a black and white mask.

Black areas indicate pixels that are not in the midtone zone gray areas indicate pixels that are partially in the midtone zone.

Midtone displays the source image’s midtones as a black and white mask.

Black areas indicate pixels that are not in the highlight zone gray areas indicate pixels that are partially in the highlight zone. White areas indicate pixels that are highlights.

Highlight displays the source image’s highlights as a black and white mask.

Normal displays the filtered source image.

The View menu is a preview control that determines what type of output is displayed. Smoother uses an algorithm which produces a better result but takes twice as long to render. The Quality menu sets the quality of the effect. It provides several variations on basic split-screen views with the filtered clip placed next to the unedited original.įor more information on the Compare Mode, Click Here. The BCC Compare Mode provides a convenient mechanism to compare the effect result with the original source layer.

Color match from image plus#

Ideally, you want to view both the Source and Target clips so that you can sample colors.īCC filters come with a library of factory installed presets plus the ability to create your own custom presets and preview them with the BCC FX Browser™.īCC filters also include common controls that configure global effect preferences and other host-specific effect settings.įor more information about working with presets and other common controls, Click Here. Match Color automates the process of removing or balancing the difference between the two clips by setting color or luma values for the quarter, mid and three-quarter areas of the image.

For instance, if two clips with different lighting conditions are spliced together, the color and luma values will differ between the clips. The BCC Color Match filter simplifies the process of matching the color or luma values of two clips in the timeline.